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Shinichi Maruyama

Shinichi Maruyama 3

Shinichi Maruyama’s work is subconsciously influenced by a Japanese sense of beauty. This sense of beauty can be found in the concept of “wabi-sabi,” referring to the beauty of imperfection and understated elegance. Additionally, this beauty is also expressed in “ma,” the use of negative space, found in the art of calligraphy as well as in the design a of a traditional rock garden.”

Shinichi Maruyama 1

“As a young student, Maruyama often wrote Chinese characters in sumi ink. He loved the nervous, precarious feeling of sitting before an empty white page, the moment just before his brush touched the paper. He was always excited to see the unique result of each new brushing. Remembering those childhood moments, of ink, water and empty page, he fashioned a large “brush” and bucket of ink. He gets the same feeling, a precarious, nervous excitement, standing before the empty studio space. Each stroke is unique, ephemeral. He can never copy or recreate them.”

Shinichi Maruyama 2

Shinichi Maruyama 4

Text sourced from NY Arts Magazine.

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